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I've done the nose of my Lightning this afternoon so recorded the masking sequence that I followed. This isn't the only way of doing it, there are shortcuts when transferring the mask to the transfer piece for instance but this is how I did this particular one today: Firstly I prepared an "empty" mask, a negative one if you like just to get its position right and to spray the background white areas ready for the roundel and the chequerboard: Then I took my transfer piece and placed it over the mask, carefully lifting it from its backing sheet onto the transfer piece. This is fiddly and needs care: The transfer piece/mask was placed over the "negative one", making sure all lined up as well as possible. Clear Frisket film makes this slightly easier but in this case I found the 6mm squares didn't stick well enough to the Frisket so moved out of alignment. Once in position the roundel centre mask and squares to be sprayed red were removed: When dry, the roundel centre mask was replaced using the register marks for accuracy. The mask for the white middle ring doesn't need to be touched. The outer ring mask is removed, this is the blue area. The chequerboards can simply be covered up with tape, no need to replace the squares individually. Then the blue is sprayed: When dry, all masks removed for the final reveal! I've never yet done chequerboards that don't need a bit of touching up: Hope this helps a little. Max

You’re very welcome Jerry. I remember the first time I used (commercially produced) masks I found it really difficult to understand the order of doing things and actually made a right hash of it, so if my thread helps you to do it more successfully then my efforts will have been worthwhile! 😃